‘They wrote of skylarks – in letters, and some, in poems – those soldiers that lived and died in France during the Great War’ writes Jacqueline Winspear in her poignant essay, Skylarks above No Man’s Land, which chronicles her ‘pilgrimage to the battlefields of The Somme and Ypres.’
‘Every morning when I was in the front-line trenches I used to hear the larks singing soon after we stood-to about dawn. But those wretched larks made me more sad than almost anything else out here…. Their songs are so closely associated in my mind with peaceful summer days in gardens in pleasant landscapes in Blighty. Here one knows the larks sing at seven and the guns begin at nine or ten…’
Letter home, 1916 – Sergeant-Major F.H. Keeling.
In Flanders fields the poppies blow
Between the crosses, row on row,
That mark our place; and in the sky
The larks, still bravely singing fly
Scarce heard amid the guns below
– From In Flanders Fields, by John McCrae, May 1915.
Returning, We hear the Larks
By Isaac Rosenberg
Sombre the night is
And though we have our lives, we know
What sinister threat lies there.
Dragging these anguished limbs, we only know
This poison-blasted track opens on our camp –
On a little safe sleep.
But hark! joy – joy – strange joy.
Lo! heights of night ringing with unseen larks.
Music showering our upturned list’ning faces.
Death could drop from the dark
As easily as song –
But song only dropped,
Like a blind man’s dreams on the sand
By dangerous tides,
Like a girl’s dark hair for she dreams no ruin lies there,
Or her kisses where a serpent hides.
I found on YouTube, this Decca Argo recording of Ralph Vaughan Williams’ The Lark Ascending (surely one of the most beautiful and moving pieces of music ever written) conducted by Sir Neville Marriner, the Academy of St. Martin’s-in-the-Fields.The violinist is Iona Brown and, alongside her deeply soulful and wonderful performance, the video’s creator, AntPDC, has skilfully blended evocative and peaceful scenes of the Derbyshire Peak District in May.
The longing for such scenes as these, the ways in which lark-song evoked their memory, and a complexity of response – the sadness, the loss, the pain in sharpened contrasts: the beauty beside the horror, the balm mixed with helpless dread; the tearing schisms between the carnage of the battlefield and the ever-onward rhythms of nature – we hear all this, and more, in the soldiers’ voices. Vaughan Williams’ sublime music seems so fitting for remembrance. It carries upon its wings the depth of value in all that those soldiers, caught in the hell of war, longed for and lost.
In honour of the sacrifices of previous generations, and in memory of the countless victims of war throughout time, worldwide… In a reaching towards life and peace and towards a world in which we value and nurture all that most sustains – and for the hope that such a world could become our reality… For the wish not to squander the opportunities and lessons passed on to us, but to come together to build a better present and a better future… We remember.