Well, after such balmy beginnings, ‘rough winds’ soon made their presence felt to ‘shake the darling buds of May.’
A few days after I wrote my earlier post, rain-wielding gusts swept in like a temper tantrum. Petulant winds gripped the inside of our chimney with fist-like twists, the upstairs window boomed occasional surprise, and we were glad to stay indoors and lose ourselves in a double bill of Alec Guinness films – Kind Hearts and Coronets and The Man in the White Suit.
These classic Ealing comedies are worlds of brittle-gleaming. Big, satisfying doses of pure storyteller care for the imagination. Character – in more senses than one – asserts itself fully. Ours – and that of the people on the screen. What they, and we, think and do mixes in a dark-delicious concoction of humour, drama, pathos, farce, satire – and rumbustious chasings through and over and around a situation. We play catch with the touchstones that scuff our boots, as we tread the soil of the story.
In The Man in the White Suit, Alec Guinness’s face is a picture – a story and a code. My daughter loves what it tells her; wants to hug Sidney Stratton (the brilliant, inspiration-driven scientist Guinness plays) for his irrepressible curiosity and his naivety, but is also shown the harm single-focused pursuit of an idea might do. We watch too as outside forces gather round that idea, and less savoury motivations seek to take hold of the information gained; to manipulate it for their own ends and to bury inconvenient facts. The initial intention of an idea becomes warped, or is met head-on by all the complexities and flipsides of progress. The fears, pitfalls and connotations are revealed. The monsters we might unleash run like shadows through the mill town streets.
Whenever we switch channels to these old films, we travel to another age. I glimpse scenes similar to those I remember from the 1970s. Streets with only a smattering of parked cars; shop fronts piled high with practical wares; a community busily lingering in purposeful dance through the day. Are these the scenes I remember? Or are they constructs I recreate from film reels coiling between screen and mind? I’m with Wordsworth on this one; that we both ‘perceive’ and ‘half create’.
Here in the West Country, May was a month book-ended by sunshine; the weather between the two bank holidays an assortment of seasons, tumbling after each other in Ealing comedy chase. On a gloriously sunny day in early May, we followed an astonishing wayside blaze of dandelions along the route to Westonbirt Arboretum – and found a dandelion riot there as well.
The day before, I had grabbed some moments to sit in the garden and read H.E. Bates.
As the early evening descended around me, our garden’s own crowds of dandelions began to close. Miniscule black flies appeared – like flecks of dusk – and darkened the ragged yellow flowers, settling there for a last-chance feed. Above me, swifts – the first back above our garden this spring – circled as if winding down the day. Their screams sliced the blue sky and served out a new section of the year…
By the end of the month, lingering crumbs of spring still flavoured the days - bluebells shaken out through the unfolding summer. Back on that early May visit to Westonbirt, we found them crowding the ragged feet of coppiced trees
– and were greeted by blossom as it was coaxed – slowly, slowly – by the sun.
Early purple orchids and lady’s smock scattered their usual haunts
– and sculptures captured light and shadow…
and reminded us of the words of an artist whose eyes saw all the colours of the world
On a dazzling Sunday 26th May, blue dashed its own reminder, like spilt paint, amongst the trees above the town of Wells. As we descended the hill towards its outskirts, we gloried in the blur of bluebells, still fresh and seeking the sky. Blue was spread there above us too – and the green of the trees was a startling April-new. Strange juxtapositions were threaded through the month. We were jumbled into boxes of being, opening lids and finding the unexpected amongst the familiar old folds of the year’s pattern.
Adopting the slow pace of the tiny and ancient city, we sat outside Wells cathedral’s north transept and watched Time – waiting for the old clock to strike Four.
Our daughter, escaping into these precious moments away from GCSE revision, sat beside us, free-roaming the pages of Mary Shelley’s Frankenstein.
On the sun-warmed bench, she clung to the glacier alongside the Creature – and, as we got up to leave, was unable to tear herself away from his drama. Bowing to the demands of a good book’s ancient-mariner-grasp, we sat down again, listened to the cathedral walls hum with organ music – an apt and atmospheric accompaniment to the Promethean struggles that were riveting our daughter to the spot. That night, back home, she came downstairs for tea sniffing back tears – and we knew which scenes she’d been reading. We’d been there too.
High on the Mendips, there had been new beginnings and a long, resounding wave of birdsong – like sound caught inside a drum; the blue sky taut and seamless. A falcon (we think a peregrine, though we weren’t sure) smoothed it tighter with the silent sweep of arrowed wings. Countless tadpoles filled the pool on the Priddy Mineries reserve…
…an adder darted across the car park to evade a passing dog, and the butterfly theme of the day was White – green-veined, small white, orange-tip – with the occasional peacock colouring the edges. The reserve felt like it was sleep-walking the spring, trailing the previous seasons behind it and tangling them up in its dreams. The new, dominating green was languid with a shut-eyed tardiness; van Gogh’s colours hidden deep beneath in slow waking. The landscape stretched thinly a sense of teeming – gradually, gradually – into resurrected life. A Frankenstein landscape-in-time, pieced together by mismatched elements of happening and expectation.
And, as we drove back across the Mendips and down into hedge-lined valleys, past stone cottages patched into being with mined-out parts of the hills – we were saddened by the lifeless bodies of badgers on the roadsides. We counted four during our circuitous journey through Somerset and back towards Bristol. Our thoughts turned to the senseless badger cull about to begin in Somerset and Gloucestershire on the 1st of June – an unjustifiable measure undertaken against the scientific evidence, against the parliamentary vote and against the wishes of the majority of the public. It is a step that will serve no purpose – except to further justify the sadness and consternation Frankenstein’s Creature felt, as he began to learn the contradictory nature of humanity. All the time, something tugs against the heights of our achievements and our better side, and proves the destructiveness of mind sets that drag us down. Prometheus bound and unbound – in a constant round.
Earlier this year, in April, I was putting milk bottles out late at night, when a movement by our front gate caught my eye. I glanced round as a small, squat animal passed by our car. Thinking it was our neighbour’s grey cat – and stupidly wondering why it had suddenly morphed into a strange shape, with such short legs and a stubby tail – I suddenly realised I was watching a badger. As I clinked the milk bottles in surprise, the badger startled into action, lolloping away across the road – its wide, low-slung body rocking in very un-catlike motion. Just at that moment “our” local fox appeared from further down the road, catching up with the badger with a playful, questioning leap as they both fell into step like old pals, and disappeared down the alley behind the houses and back towards the woods.
I knew that badgers had long been visiting our suburban garden – the evidence was everywhere – and our neighbours had seen them several times. Last year, we were excited to see them ourselves, when we were called to the window by an almighty disagreement over a slug between two badgers on our garden patio. “Our” fox too had been very much in evidence. During his nightly travels, he - and possibly the very habit-following badgers too - have worn away the grass, creating a narrow trail alongside our hedge, making our garden part of the local wild mammal map. At dusk, we often see the fox trot along the trail towards our compost heap and round through the gap in the hedge. Sometimes he will linger on our lawn, and sit gazing around him – or absently scratch an ear, totally relaxed, listening to the twilight murmurs. If he sees us watching, he will dart beneath our damson trees, but if we remain still, he will emerge again, stand on his hind paws to drink from the bird bath – his wary, black-backed ears pricked our way.
Once, years ago, I inadvertently disturbed a fox asleep in a hollow in our flower bed. It was late morning on a sunny day in early spring, I was hanging out the washing; the fox woke and stared at me in alarm. We both stood transfixed, each in our own space; Creatures of nature – near and far apart – and it was too much for the fox. I wanted it to stay; for me not to be the thing it feared. I felt in that moment that I was the Frankenstein’s “monster” – un-belonging and set apart. But so often, when it comes to a meeting between humans and wild creatures, that’s how it has to be. Some lines in the sand are made out of respect for the differences, and to ensure flourishing and protection.
But others are made out of the complete opposite – out of a profound disrespect for what should make us feel kin.
In the face of the terrible badger cull that has now been unleashed, I ask myself – is humanity doomed to always pin its own lack – its own ills – to some scapegoat; to make a Frankenstein’s Creature out of “progress,” to tangle the truth in a net of power play, politics and vying motivations – and to reject the chances we have to truly learn, move forward and grow?
Sometimes, I just want to put my head in my hands and despair. But, I’m still hanging on to the belief that the better side of human nature can win.
Many voices have joined together to speak out against the cull. And a few days ago, a song was released that brings together the voice of the legendary Sir David Attenborough - with a guitar solo courtesy of the also legendary Slash! Here they are as part of the Artful Badger and Friends, joining forces along with Brian May, Shara Nelson, Sonny Green, Kerry Ellis and Sam & The Womp, to protest via the Badger Swagger:
‘…scientists reject the idea of scientific support for the cull, which could wipe out 100,000 badgers, a third of the national population. The cull policy is “mindless”, according to Lord John Krebs, one of the UK’s most eminent scientists and the architect of the landmark 10-year culling trials that ended in 2007. “The scientific case is as clear as it can be: this cull is not the answer to TB in cattle. The government is cherry-picking bits of data to support its case.”
- From an article in The Guardian – Badger cull ‘mindless’ say scientists
Head over to Daniel Greenwood’s blog to see his great photos of the Stop the Badger Cull march, which took place in London on Saturday 1st June.
Another fellow blogger, Louise Hastings, has timed the release of her new children’s novel, Beatha - A Badger’s Story, to raise awareness of the issue. From the sales of her book, Louise will be raising funds to donate to The Badger Trust.
The petition against the badger cull can be signed at: